Companies that utilize this strategy do so with a tech stack that usually includes machine vision, additive manufacturing equipment (3D printing), industrial IoT, edge computing, cloud data, machine learning, and robotics. In order to achieve this, you need to be able to automate every single step of the manufacturing process.
Lights out manufacturing (also known as a “dark factory”) is a production method that requires little to no human interaction-essentially running on its own, even in a dark and otherwise empty factory. Although most facilities are at the early stages of automating production activities, automation solutions are being increasingly adopted across the industry. These 24-hour production facilities sound like pure fantasy, but they are a reality today in manufacturing facilities spanning the globe. Manufacturers would encounter fewer quality issues too, because-unlike humans-the machines can replicate their behaviors exactly, day-in and day-out. This would drastically reduce workplace accidents, the cost to keep the facility well heated or cooled, and the cost of the labor itself. Just machines doing what they do best-accurate, repeated tasks at speeds far faster than their homo sapien counterparts. Simply show up to work, set the machines in motion, flip off the lights, and head out the door. It has been the dream of many manufacturers to use a set-it-and-forget-it mindset for production. This requires the support of multiple technologies such as machine learning and high-frequency data collection. The only problem with all of these is that you have to find them among the whopping 19 songs on Lights Out, making it somewhat of a frustrating album despite its several highlights.Lights out manufacturing is a technique that uses fully-automated technology to run a production factory with little or no human intervention. His stuttering beats on "Tha Blues" are breathtaking, as are the Eastern-style ones on "Hit U Up," and the album-opener, "Get off the Corner," sounds absolutely massive.
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Similarly, Mannie Fresh misfires here and there on Lights Out, like on the oddly bluesy "Fuck Wit Me Now" but, for the most part, has never been more creative. Wayne is deep on heartfelt songs like "Everything" and "Grown Man," and he is street-smart on insightful songs like "Lil One" and "Get off the Corner." He's much more effective, though, when he lightens up his lyrics and has fun, as on "Shine," "Let's Go," and "Hit U Up," three album highlights. This ambition is somewhat fascinating, particularly for anyone who has followed Cash Money's evolution to here however, it's also a bit overreaching. Wayne is out to prove himself as more than a teen phenomenon, showcasing a socially conscious side largely absent on his debut, and Fresh is out to prove himself as a versatile producer, crafting a sonically adventurous sound denser than his past work. Lights Out retains plenty of this but is notably ambitious. These releases were anything but serious or wild, instead prototypically Dirty South with their big, bass-heavy bounce beats and brash, bling-bling boastful banter. Up until this point, the Cash Money camp had churned out a staggering number of releases during the late '90s. More than anything, the serious tone and the wild beats come as somewhat of a surprise. Lil Wayne may still be a youngster on his second album, Lights Out, but he shows substantial growth, dropping serious lyrics over some of Mannie Fresh's wildest production to date.
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